Monday, June 11, 2018

New Man in Town

I resigned. Managing bullshit is not really for me. It was never my plan. It was a job that has taken up so much of my life, so much of my efforts, and so much of my time. It was a job that I hated so much since day one.

Now I’m in a month-long break. Not vacation. Just a break. A moment in my lifetime where I can get back my life for a while, think things through, make definite plans if it’s even possible in this volatile existence, do things I have been thinking of doing in the past, and try to live life as much as possible in this short period of time.

Many things that I can think about- how to lose all this belly fat, small business, writing projects, what should I do with this blog, etc.

Some friends told me that I wasn’t thinking clearly. Some of my colleagues thought that I was acting so immature for somebody in his thirties (yes, my mind is still that of a 20-year-old young adult). But I just couldn’t take it anymore being fucked up every single day, quarreling over small things, having nervous breakdowns when dealing with petty issues like we were NASA handling an apocalyptic crisis, like that of an asteroid about to hit Earth. That’s a lot of bullshit and it was becoming an everyday routing. Bullshit. Bullshit. Bullshit.

Life is gonna be different from now on, especially now that I have a pauper’s wage. I would have to cutback on a lot of things- eating spree, book hoarding, travelling, male prostitutes, stuff  sad and creepy bachelors do, you know, the usual.

I don’t know what really lies ahead of me. I just feel like it’s going to be better from now on. And I really do hope it would be better. I hope to find happiness now that I have more time to do things that I love doing. Less stress. And just live life!

Thursday, May 24, 2018

Age of Shadows

I am a superficial being. I judge books by its cover. And when it comes to movies, I judge it by the looks of the actors. And this is my case as regards to the South Korean 2016 movie “Age of Shadows”, screened at the 15th Florence Korea Film Festival, last year. Yes, LAST YEAR. Because I have no other better things to write about this year and I was supposed to be posting my humble review last year. So here I am. 

from asianwiki.com


It has the ingredients of a good movie. Such as Song Kang Ho. Ok, he is no Chris Hemsworth, but he’s one heck of a great deal in Korean cinema, plus the fact that it was a movie by Kim Jee-won, maker of cult movies, makes it really an impressive work of a cinematic art.

Song Kang Ho, from asianwiki.com
And as cherry-topping that makes it a must-see are two exceptional actors- Gong Yoo (release the massive fan-girling!) and my personal object of desire- Um Tae-Goo.

Gong Yoo from scoopnest.com
Let’s take a moment to discuss this object of my fantasy Um Tae-Goo. I honestly do not have a professional opinion, not even the qualification, to be able to judge him and say that he’s an exceptional actor. No. I don’t know what the deal is with this guy, but the way he did his role as the mean bad guy in this movie really made me desire him so badly. It think it’s his deep husky voice. It’s the fierce glare he does when he looks you in the eye. I dunno. I thought he was really sexy, that I started ovulating even without ovaries and all that shit.

Uhm Tae Goo 
Back to the movie.

Age of Shadows is set in 1920’s Japanese-occupied Korea. A Korean police captain was dispatched to track down undercover revolutionaries, motivated also by hefty rewards from the Japanese government.

His mission to unmask whatever secret plans the revolutionary movement has turned out to be his undoing, as it revealed the inclinations of his inner soul.

A war movie with exciting and exceptionally choreographed action scenes. It’s a war movie that doesn’t glorify or sugar-coats heroism, but reflects the human soul, and character of a man and his good nature when he faces the predicament between prestige and survival or salvaging humanity and brotherhood. 


Great cinematography, interesting plot, Song Kang Ho, and Gong Yoo. What else do you want?  

Wednesday, May 09, 2018

Stoker


First and foremost, I watched this because of Nicole Kidman. I got even more interested when I learned that it was one of Park Chan-wook’s masterpieces. In this movie, combining the beauty and talent of Nicole Kidman, the genius of Korean master movie-maker Park Chan-wook, the charm of Matthew Goode (soooo good I orgasmed), and Mia Wasikowska’s talent in projecting an eccentric (psychologically and sexually) girl, you get Stoker, one of some awesome weird shit I’ve seen so far.



India Stoker (Mia Wasikowska) is an eccentric girl who doesn’t like to be touched. Well, if you have a towering beauty of a dysfunctional mother Evelyn Stoker (Nicole Kidman), I doubt you’d be an average girl.


Her coming-of-age brought some disastrous and ominous changes in her life- her dad died in a car accident, and a long lost Uncle Charlie suddenly appeared in their lives. His arrival in their house would awaken unexpected feelings and desires, a series of disappearances, and the unfolding of secrets and history of a family scarred by violence and mystery.



Park Chan-wook showcased again in this movie his mastery of the cinematographic art- sophisticated imagery, ever so mind-enticing plot development, and the oozing sexiness of Matthew Goode and Nicole Kidman in their characters. I never thought that Park Chan-wook can make an exquisite Hollywood movie. As a rule, Hollywood movies are generally sugar-coated ├╝ber-glamourized. But this one proved me wrong as Park Chan-wook masterfully executed a beautiful noir that would shake your mind, soul and morals to the core. You simply have to watch.




Wednesday, May 02, 2018

Speaking of Korean Tension... The Berlin File

The Berlin File is a 2013 thriller/action movie directed by the godfather of Korean action movies Ryoo Seung-wan, and it was featured at the 14th Florence Korea Film Fest 2016. In this edition of the film festival, I discovered Ha Jung-woo. Hmmm… boner alert.



The story is about North Korean special agent Pyo Jong-Seon who was negotiating an arms deal with terrorists in a hotel that was eventually busted by Israel’s Mossad. In the mean time, a South Korean agent is also running after Pyo and investigating the failed arms deal. So, Pyo, in addition to running away from an executioner from North Korea and other spies from South Korea, was also trying to figure out who set him up and his wife who was working in the North Korean embassy as an interpreter, and who’s the double agent.

I know what you’re thinking. This review is fucked up right? I know! It’s a fucking spy movie. I just can’t simplify the plot here. But I can guarantee you that it is worth it.

Superb acting. I mean, a guy like Ha Jung-woo holding a gun. Sigh, sexy. But seriously, the action scenes and the convoluted story line are quite breath-taking. It was thrilling and interesting to watch that you would almost wish that the real thing should be this exciting, and not as boring as handshakes and smiles between a stiff president and a pudgy-faced despot.


Monday, April 30, 2018

Whose day is it anyway?

It’s a public holiday to celebrate the achievements of workers, a day that originated from the sweat, tears, and efforts of labour unions. It’s our day. Workers. The day we commemorate the legal establishment of the 8-hour day. A victory of the proletariat, the communists, the socialist, the people.

circa 2002, my first ever political rally


Where the fuck will I be today?

I won’t be marching on the streets like I used to when I was a young hippie-looking deranged activist. I will be flipping burgers. Serving my boss. Serving the horde of hungry people with their shitload sentiment of entitlement to be served with the license of abusing workers over the counter.

In the meantime, underpaid and labour-rights deprived workers in other sectors will be in their homes, not to relax, but to brood on the fact that there are no choices left for them but to shut up and strive in their jobs as taxpayers money went down the drain of the financial black holes in banks, parliamentarian pockets, and capitalists.

There’s so much wrong with May 1. This is not anymore about ranting about the fact that I can’t take a holiday on this date, but about the fact that nobody really cares anymore about the very essence of this holiday. It’s just another day to stay at home or be somewhere else.

And all those grand speeches by left-wing leaders that they spew in rallies they hold in large piazzas here? Meaningless. They don’t mean a thing, especially when we have more taxes than earned money. When people can’t pay for their homes, when young couples can’t be certain of their future, when the youth can’t even get decent jobs and decent paychecks, when many labourers are exposed to exploitations and opportunist capitalists, what the fuck are we celebrating?

On a day like this, why are capitalists getting more benefits than its workers?

On a day like this, why are we forced to embrace shitty working conditions?

On a day like this, why is it that the economy is growing at the expense of our ever thinning wallets?

On a day like this, why is the “think positive” culture is not paying the bills of average families and not ensuring a better future for the youth and “negative” people like me (fuck those I’m-all-about-positivity-rich-kid-life-guru!)?

Tell me why?